The Social and the Real : Political Art of the 1930s in the Western Hemisphere / Alejandro Anreus, Diana L. Linden [and] Jonathan Weinberg (ed.)

Por: Anreus, Alejandro (ed.)Colaborador(es): Linden, Diana L | Weinberg, JonathanTipo de material: TextoTextoIdioma: Inglés Detalles de publicación: Pennsylvania : The Pennsylvania State University Press, 2006Descripción: 362 p. : 99 il. , fotos ; 26 cmISBN: 9780271026916Tema(s): BERNI, ANTONIO, 1905-1981 | ARTISTAS ARGENTINOS -- SIGLO 20 | ARTE LATINOAMERICANO | ARTE CONTEMPORANEO | ARTE Y POLITICA | FOTOGRAFIA | ARTE CUBANO -- SIGLO 20 | ARTE MEXICANO -- SIGLO 20 | ARTE CANADIENSE | ARTE SOCIAL | MEXICO | CANADA | ARGENTINA | CUBA | LIBRO
Contenidos:
Trachtenberg, Alan / Signifying the real: Documentary Photography in the 1930s.--
Martínez, Juan A. / Social and Political Commentary in Cuban Modernist Painting of the 1930s.--
Coffey, Mary K. / The "Mexican Problem": Nation and "Native" in Mexican Muralism and Cultural Discourse.--
MacKay, Marylin / Canadian Political Art in the 1930s: "A form of distancing".--
Anreus, Alejandro / Adapting to Argentinean Reality: The New Realism of Antonio Berni.--
Weinberg, Jonathan / I want muscle: male desire and the image of the worker in American Art of the 1930s.--
Francis, Jacqueline / Making History: Malvin Gray Johnsons and Eral W. Richardsons Studies for Negro Achievement.--
Park, Marlene / Lynching and Anti-Lynching: Art and Politics in the 1930s.--
Hills, Patricia / Art and Politics in the Popular Front: The Union Work and Social Realism of Philip Evergood.--
Lee, Anthony W. / Workers and Painters: Social Realism and Race in Diego Riveras Detroit Murals.--
Luckyj, Natalie / "Come out from behind the Pre-Cambrian Shield": The Politics of Memory and Identity in the Art of Paraskeva Clark.--
Linden, Diana L. / ben Shahns New Deal Murals: Jewish Identity in the American Scene.--
Hemingway, Andrew / Between Zhdanovism and 57th Street: Artists and the CPUSA, 1945-1956.--
Stein, Sally / The Presidents Two Bodies: Stagings and restagings of the New Deal Body Politic.--
Berni, Antonio / Self-Portrait with cactus.-- Photos of the unempolyed.-- Unemployed.-- Demonstration.-- Tenant Farmers.-- Midnight in the World.-- New Chicago Athletic Club.--
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MONOGRAFIAS AR-FUNDACION ESPIGAS-GENERALES/2236 (Browse shelf(Abre debajo)) Disponible 000045230

Trachtenberg, Alan / Signifying the real: Documentary Photography in the 1930s.--

Martínez, Juan A. / Social and Political Commentary in Cuban Modernist Painting of the 1930s.--

Coffey, Mary K. / The "Mexican Problem": Nation and "Native" in Mexican Muralism and Cultural Discourse.--

MacKay, Marylin / Canadian Political Art in the 1930s: "A form of distancing".--

Anreus, Alejandro / Adapting to Argentinean Reality: The New Realism of Antonio Berni.--

Weinberg, Jonathan / I want muscle: male desire and the image of the worker in American Art of the 1930s.--

Francis, Jacqueline / Making History: Malvin Gray Johnsons and Eral W. Richardsons Studies for Negro Achievement.--

Park, Marlene / Lynching and Anti-Lynching: Art and Politics in the 1930s.--

Hills, Patricia / Art and Politics in the Popular Front: The Union Work and Social Realism of Philip Evergood.--

Lee, Anthony W. / Workers and Painters: Social Realism and Race in Diego Riveras Detroit Murals.--

Luckyj, Natalie / "Come out from behind the Pre-Cambrian Shield": The Politics of Memory and Identity in the Art of Paraskeva Clark.--

Linden, Diana L. / ben Shahns New Deal Murals: Jewish Identity in the American Scene.--

Hemingway, Andrew / Between Zhdanovism and 57th Street: Artists and the CPUSA, 1945-1956.--

Stein, Sally / The Presidents Two Bodies: Stagings and restagings of the New Deal Body Politic.--

Berni, Antonio / Self-Portrait with cactus.-- Photos of the unempolyed.-- Unemployed.-- Demonstration.-- Tenant Farmers.-- Midnight in the World.-- New Chicago Athletic Club.--

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