Purity is a myth : the materiality of concrete art from Argentina, Brazil and Uruguay / edited by Zanna Gilbert ... [et al.].

Colaborador(es): Gilbert, Zanna, 1980- [ed.] | Gottschaller, Pia [ed.] | Learner, Tom, 1950- [ed.] | Perchuk, Andrew [ed.]Tipo de material: TextoTextoSeries Issues & debatesDetalles de publicación: Los Angeles : Getty Research Institute : Getty Conservation Institute, c2021Descripción: x, 325 p. : il., fot. ; 26 cmISBN: 9781606067239Tema(s): Torres-García, Joaquín, 1874-1949 | Rothfuss, Rhod, 1920-1969 | Cordeiro, Waldemar, 1925-1973 | Lauand, Judith, 1922-2022 | Fiaminghi, Hermelindo, 1920-2004 | Volpi, Alfredo, 1896-1988 | Oiticica, Hélio, 1937-1980 | Carvão, Aluísio, 1920-2001 | Burle-Marx, Roberto, 1909-1994 | Castro, Willys de, 1926-1988 | ARTE CONCRETO | HISTORIA DEL ARTE | TEORÍA DEL ARTE | PINTURA | ANÁLISIS | COLOR | ENSAYOS | Argentina | Brasil | UruguayClasificación CDD: 709.04052098
Contenidos parciales:
Pte. 1.New perspectives on the emergence of concrete art from Argentina, Brazil, and Uruguay. Cap. 1. Material relations: Torres-García and concrete art from Argentina / Niko Vicario ; cap. 2. Rhod Rothfuss and the "marco recortado": a synthesis of cultural traditions in the Río de la Plata region / María Amalia García ; cap. 3. Waldemar Cordeiro and Grupo Forma: The Roman road to São Paulo concrete art / Heloisa Espada -- Pte. 2.Generative processes in concrete art. Cap. 4. Cut, fuse, fissure: planarity circa 1954 / Irene V. Small ; cap. 5. Judith Lauand's sketchbooks and the visualization of concrete form in 1954 / Aliza Edelman ; cap. 6. Hermelindo Fiaminghi's quadrature of the circle between 1954 abd 1959: from concrete Enamel to Giotto's tempera / Pia Gottschaller, Tom Learner, Joy Mazurek -- Pte. 3.Concretizing color. Cap. 7. Energy, legibility, purity: color in Argentine concrete art / Idurre Alonso ... [et al.] ; cap. 8. Looking to the past to paint the future: innovative anachronisms in the work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez, Corina E. Rogge ; cap. 9. The adventure of color in Brazilian art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio -- Pte. 4.Concrete art on paper. Cap. 10. Printing invention: Artwork, project, or device / Isabel Plante ; cap. 11. On kissing and biting: materiality, language, and design in the work of Hermelindo Fiaminghi and Willys de Castro / Zanna Gilbert -- Pte. 5.Analyzing concrete art: technical overviews. Cap. 12. Experimentation and materiality: constructing the Brazilian artwork, 1950s-60s / Luiz A. C. Souza ... [et al.] ; cap. 13. Argentine concrete art, the first decade: between material and formal tradition and innovation / Pino Monkes ; cap. 14. technical studies of concrete art from the Rio de la Plata region / Fernando Marte -- Pte. 6.The reception of concrete art in museums and academia. Cap. 15. A history of the field / Aleca Le Blanc -- Pte. 7.Chronologies. Cap. 16. The Argentine paint industry: 1940-60 / Sofía Frigerio, Florencia Castellá ; cap. 17. Paint production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa.
Etiquetas de esta biblioteca: No hay etiquetas de esta biblioteca para este título. Ingresar para agregar etiquetas.
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MONOGRAFIAS 709.04052098 P9858 2021 (Browse shelf(Abre debajo)) Disponible 060420

Editado por Zanna Gilbert, Pia Gottschaller, Tom Learner y Andrew Perchuk.

Incluye referencias bibliográficas e índice.

Pte. 1.New perspectives on the emergence of concrete art from Argentina, Brazil, and Uruguay. Cap. 1. Material relations: Torres-García and concrete art from Argentina / Niko Vicario ; cap. 2. Rhod Rothfuss and the "marco recortado": a synthesis of cultural traditions in the Río de la Plata region / María Amalia García ; cap. 3. Waldemar Cordeiro and Grupo Forma: The Roman road to São Paulo concrete art / Heloisa Espada --
Pte. 2.Generative processes in concrete art. Cap. 4. Cut, fuse, fissure: planarity circa 1954 / Irene V. Small ; cap. 5. Judith Lauand's sketchbooks and the visualization of concrete form in 1954 / Aliza Edelman ; cap. 6. Hermelindo Fiaminghi's quadrature of the circle between 1954 abd 1959: from concrete Enamel to Giotto's tempera / Pia Gottschaller, Tom Learner, Joy Mazurek --
Pte. 3.Concretizing color. Cap. 7. Energy, legibility, purity: color in Argentine concrete art / Idurre Alonso ... [et al.] ; cap. 8. Looking to the past to paint the future: innovative anachronisms in the work of Alfredo Volpi and Hélio Oiticica / Mari Carmen Ramírez, Corina E. Rogge ; cap. 9. The adventure of color in Brazilian art: Aluísio Carvão, Hélio Oiticica, and Roberto Burle Marx / Luiz Camillo Osorio --
Pte. 4.Concrete art on paper. Cap. 10. Printing invention: Artwork, project, or device / Isabel Plante ; cap. 11. On kissing and biting: materiality, language, and design in the work of Hermelindo Fiaminghi and Willys de Castro / Zanna Gilbert --
Pte. 5.Analyzing concrete art: technical overviews. Cap. 12. Experimentation and materiality: constructing the Brazilian artwork, 1950s-60s / Luiz A. C. Souza ... [et al.] ; cap. 13. Argentine concrete art, the first decade: between material and formal tradition and innovation / Pino Monkes ; cap. 14. technical studies of concrete art from the Rio de la Plata region / Fernando Marte --
Pte. 6.The reception of concrete art in museums and academia. Cap. 15. A history of the field / Aleca Le Blanc --
Pte. 7.Chronologies. Cap. 16. The Argentine paint industry: 1940-60 / Sofía Frigerio, Florencia Castellá ; cap. 17. Paint production in Brazil, 1940s-60s / João Henrique Ribeiro Barbosa.

Donación Mary E. Miller (Getty Research Institute).

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